Jollibee Foods Corporation Analysis free essay sample

Jollibee Foods Corporation Jollibee Foods Corporation claimed by the Tan family started in 1975 as an essential dessert parlor and in this manner extended its menu offering as sandwiches and burgers because of the expanded expense of oil and the President Tony Tan Caktiong (TTC) foreseen frozen yogurt costs to take off. The organization culture was created on the Five F’s: Flavor, Fun, Flexibility, Family climate and Friendliness. The years to follow, Jollibee Foods started to grow locally opening five stores and continued to fuse as Jollibee Foods Corporation. The family possessed Corporation quickly extended locally all through the Philippines. Jollibee Foods started to differentiate its item contributions by gaining Greenwich Pizza Corporation just as entering a joint endeavor with Deli France. The Corporation opened up to the world in 1993 which the family kept up most of proprietorship and control of the organization. Jollibee Foods first significant test was McDonalds entering the organization household showcase in 1981. We will compose a custom paper test on Jollibee Foods Corporation Analysis or on the other hand any comparable point explicitly for you Don't WasteYour Time Recruit WRITER Just 13.90/page McDonald size and notoriety as being one of the significant inexpensive food organizations was a worry for Jollibee Foods. Despite the fact that the residential customer favored the flavor of Jollibee burger the danger to the company’s piece of the pie was genuine. McDonalds started going into the Philippine market by opening six eateries inside two years. McDonalds started a broad promoting effort and continue to outperform Jollibee’s deals by 1983 which brought about a 27% portion of the market. The reaction to McDonald’s danger was another item called the Champ’s, which was bigger in size and spicier in taste that spoke to the Philippine buyer. In any case, in 1983 the political resistance pioneer Benigno Aquino was killed bringing about financial and political vulnerability. Remote interest in the Philippines eased back accordingly, which Jollibee exploited by promoting to expanding their menu to incorporate chicken, spaghetti and peach mango dessert pie for the nearby markets. When the political vulnerability was settled McDonalds started to consider extending in the Philippine market. Nonetheless, because of the development of Jollibee Foods to 31 stores coming about as a prevailing nearness in the market, McDonalds reexamined continuing with extension in the Philippine market. The procedure of growing to turn into the predominant supplier of item contributions (food) during the conservative and political vulnerability was basic to safeguard Jollibee’s residential market. Jollibee was the primary mover in the household advertise in the Philippines that formed the inclinations and desires for its clients. Jollibee’s continued to grow universally inside the Asian nations from 1986 through 1997 through establishments and joint endeavors. The new areas included Singapore, Taiwan, and Indonesia.

Monsanto †Appointing, Legislating, and Lobbying Its Way to the Top Free Essays

string(47) may think nothing about the subject otherwise. Intrigue bunches are characterized as a â€Å"organized gathering of individuals that makes strategy related appeals† and they can profoundly affect our legislature and society (Ginsberg, Lowi, and Weir 419). These gatherings speak to their inclinations in the political field in an assortment of ways; they can get government authorities delegated to government positions, campaign government authorities, and store media to publicize their message to assemble popular conclusion and influence voters. Organizations intrigue bunches specifically use these procedures, in light of the fact that there is a monetary motivating force in passing ideal laws and passing on a decent picture to government and people in general. We will compose a custom article test on Monsanto †Appointing, Legislating, and Lobbying Its Way to the Top or on the other hand any comparative subject just for you Request Now One business intrigue right now profiting by their communication with the Obama organization is Monsanto. Monsanto is a billion dollar organization liable for hereditarily changed seeds, the compound Roundup and its related Roundup prepared harvests, the poisonous concoction substance Agent Orange, cow-like development hormones (rBGH), and the manufactured sugar substitute known as aspartameâ€to name a couple. As a business intrigue gathering, it has been a fabulous achievement in utilizing government to push its plan, a lot to the disappointment of ecological activists, researchers, and concerned residents who need their legislature to manage organizations and secure people in general. This paper will look at how business intrigue bunches like Monsanto have had the option to assist their plan under the Obama organization through the arrangement of workers to government positions, campaigning, and utilization of media to prepare popular sentiment. ) Appointment to Federal positions The arrangement of representatives in business to positions in government is a typical event today and is regularly alluded to as â€Å"The Revolving Door†. This is the rearranging all through government and private division occupations, and it is awful on the grounds that it leaves these administration authorities with predispositions and the high possibility of being positive for their previous manager. In the Obama organization, there are at present numerous pistols from private industry (â€Å"Revolving Door†). One current gun from Monsanto who is presently settling on arrangement choices in regards to our sanitation is Michael Taylor. Michael Taylor was named representative official for nourishments at the Food and Drug Administration in January 2010 and is a previous Vice President of Monsanto’s Public Policy(â€Å"Meet Michael R. Taylor, J. D. , Deputy Commissioner for Foods and Veterinary Medicine†). This clearly makes a predisposition when settling on choices about strategies with respect to items made by Monsanto, for example, hereditarily changed nourishments or the cow-like development hormones utilized in milk. When Monsanto representatives like Michael Taylor get into these offices, they are normally good for their previous manager Monsanto when deciding. They likewise guarantee direct access for lobbyists to the offices they are in charge of; â€Å"many of Washington’s top lobbyists have close connections to significant individuals from congress or were themselves significant political figures, in this manner for all intents and purposes ensuring that customers will have direct access to government officials† (Ginsberg, Lowi, and Weir 414). Taylor is a previous lobbyist and current government official who presently gives Monsanto full access into the dynamic of huge numbers of American’s choices about food. Sadly, he is only one of every a reiteration of government authorities who have personal stakes in the private area while as yet being permitted to settle on choices influencing the wellbeing and security of the American open. By getting representatives into government positions, organizations increment their odds of making a solid iron triangle framework that underpins their advantage gathering. The iron triangle is a â€Å"stable, helpful relationship that frequently creates among a congressional board of trustees, an authoritative organization, and at least one steady intrigue groups† (Ginsberg, Lowi, and Weir 418). This iron triangle framework is incredible in making positive enactment and guideline for Monsanto; their great working relationship with authoritative boards and official offices permits them to help their motivation and further their business by straightforwardly molding arrangement results. 2) Lobbying individuals from congress Campaigning is a basic piece of how intrigue bunches speak to their motivation in government and look for entry of ideal enactment. A lobbyist’s objective is to impact strategy a specific way by â€Å"mobilizing singular residents to contact officials (grassroots campaigning), affirming at hearings, submitting composed remarks to an organization or panel, public statements, and other activities† (Hasen 217). Lobbyists likewise exploit their immediate access and â€Å"personal contact with officials and taff members† to impact strategy choices (Hasen 217). Monsanto is extraordinarily skilled in every one of these zones, and was the top campaigning customer in the agribusiness division with $8,831,120 spent in 2008 and $5,970,000 in uses in 2012 (â€Å"Annual Lobbying on Agricultural Services†). Business intrigue bunches frequently hall congress and the official branch to advance their plans and establish positive laws and guidelines. They do this by increas ing direct access to individuals from Congress and government organizations and making their inclinations heard. This is even supported by the Administrative Procedure Act (APA) that â€Å"requires most government offices to give notice and a chance to remark before executing proposed new guidelines and legislation† (Ginsberg, Lowi, and Weir 434). This permits organizations like Monsanto to meet with offices like the USDA, FDA, and EPA to say something regarding issues that influence them, for example, the benefits and wellbeing of hereditarily altered living beings (GMO’s), debilitating marking of GMOS’s, or implementation governs on synthetic compounds and pesticides. Research shows that business intrigue bunches have increased authoritative accomplishment through straightforwardly impacting the organization. As indicated by look into, the â€Å"significant attribute in intrigue bunch impact is the advantaged, regulated coordination of certain gatherings into open choice making† (Binderkrantz 177-78). In view of Monsanto’s elevated level of movement with government offices and their capacity to get access and campaign authorities legitimately, their conclusion is regularly incorporated into open approach. Another way Monsanto lobbyists gain impact is through the data they bring to the table the legislature. Research says â€Å"the most significant factor administering the impact of a gathering was the capacity of a gathering to give officials both specialized and political information† (Smith 235). Monsanto furnishes occupied government authorities with data about the issues that passes on power and touts inquire about support, settling on arrangement choices simpler for an administration official who may think nothing about the subject in any case. You read Monsanto †Appointing, Legislating, and Lobbying Its Way to the Top in classification Papers Indeed, numerous lawmakers state lobbyists are a basic piece of government; because of a 1978 bill extending campaigning revelations, Senators Edward Kennedy, Dick Clark, and Robert Stafford gave the explanation that â€Å"Government without campaigning couldn't work. The progression of data to Congress and to each other government office is an essential piece of our equitable system† (Ginsberg, Lowi, and Weir 431). This statement represents how lawmakers depend on lobbyists as a fundamental wellspring of data in regards to approach issues. Lobbyist’s job as conductors of this data to government is vital in light of the fact that they are in finished control of how data is presentedâ€and in this way how their plan is gotten. One late bit of enactment that Monsanto profited by due to the data their capacity to straightforwardly get to administrators was House Resolution 933, a crisis spending charge went to finance government tasks through September and deflect an administration shutdown. The bill, marked by President Obama on March 26th 20013, will keep on shielding this multi-billion dollar company from lawful implications of the security of its items. The spending charge, presently named the â€Å"Monsanto Protection Act†, embedded an inconsequential arrangement that awards Monsanto against lawful order for the following year and the capacity to keep planting seeds and reaping crops regardless of whether there are issues found with hereditarily changed creatures. Since they were attempting to surge this bill through to evade government shutdown, these obscure arrangements had the option to sneak through. The Missouri Senator who included the bill, Roy Blunt, concedes he worked with Monsanto in making the subtleties of this governing body (â€Å"New Law Spurs Controversy, Debate Over Genetically Modified Crops†). This bit of defensive enactment shows how enterprises can utilize their immediate access to government authorities to modify arrangement changes. In light of this preferred position of access and authority, business intrigue bunches like Monsanto are very effective in changing their plan into open approach. Generally speaking, look into indicates that there is a predisposition towards organizations. When contrasting remarks from business with nonbusiness analysts in government office hearings, there was an unmistakable champ in arrangement results. Organizations are bound to be convinced by lobbyists for business interests due to â€Å"the number of remarks originating from business interests† and the way that the â€Å"comments from business-related interests give more data and sign a more prominent degree of analyst ability, making offices react to the requ

How to Write Dialogue

Instructions to Write Dialog Instructions to Write Dialog Instructions to Write Dialog By Michael Discourse invigorates. Seeing quotes on a page has been demonstrated to build meaningfulness, which implies that perusers discover the page additionally intriguing. Furthermore, you need your perusers to remain intrigued. Discourse separates dim content and offers your eyes a reprieve as well. Exchange utilizes essential guidelines for accentuating and arranging: At the point when the speaker changes, hit Return and start another line (which Maeve Maddox exhibits in Formatting Dialog.) Put accentuation, for example, the end comma, inside the quotes. A colon can be utilized in a content, however in different types of composing, you dont routinely intersperse exchange with a colon. TOM POLHAUS: Heavy. What's going on here? SAM SPADE: The, uh, stuff that fantasies are made of. Here are a few proposals for progressively successful exchange: Accomplish something, dont simply talk. Struggle makes activity out of exchange. In the case of everything is discourse, its a play. In actuality, individuals get things done while they talk, and they dont talk constantly. Dont act naturally. New essayists need to discover their voice, however when you compose exchange, its not your voice now, yet anothers. On the off chance that they all stable like you, they all stable the equivalent. Make sense of what makes your characters not quite the same as you maybe age, beneficial encounters, or societal position and how those distinctions influence their discourse. Whos talking, it would be ideal if you On the off chance that its difficult to differentiate the characters, your peruser will be befuddled, exhausted or disappointed. Ali Hale gives a few arrangements in Dialog Writing Tips. For instance, you can have each character talk at their own rate, quick or moderate, curt or longwinded, huge words or little words, long sentences or short, discourteous or affable. Jargon can likewise recognize characters. They may communicate understanding in various manners: Aye, Yup, Ja, Okey dokey, Absolutely, For sure, buddy! Apparently. Breaking point outrageous lingo. During the 1800s, creators would speak to a local or social gathering by phonetically spelling their articulations, forgetting about dropped endings, etc: Och, dat wuz frightnin a no dout!. Lamentably, purposely including incorrect spellings and punctuations makes your composing harder to peruse. Maeve Maddox and Kate Evans give a superior path in Showing Dialect in Dialog and Writing Dialog In Accents and Dialect. You dont have them with Hello. Truth be told, start your discourse after the welcome. Forget about the cushion, merriments, and redundancy. Genuine discourse can be dreary to the point that proficient transcriptionists have extraordinary keys to abstain from composing words, for example, Okay and Fine. A few people can have a whole discussion utilizing just the word Fine. Be that as it may, dont put it in your novel. Skirt past the exhausting subtleties. Extremely, its not the subtleties that are exhausting, however the ambiguous parts. What's going on with you? Fine? Happy to hear it. How is your family? Fine? On the off chance that an exchange doesnt advance the plot or grow the character, overlook it. Individuals everywhere throughout the world state Looks like downpour consistently everybody can concur on the climate however you dont need to do it in your story except if the downpour would demolish a significant activity or item. You dont need to utilize total or syntactic sentences. Genuine discourse isnt like that. Individuals interfere with themselves, delay, alter their perspectives, etc. Show their inspiration. Or if nothing else, show they have inspiration, regardless of whether what it is stays a puzzle. They may not be coming clean or telling everything, except they have purposes behind saying what they do. Dont have the house cleaner mention to the steward what he definitely knows. Truly, discourse is an extraordinary method to take care of subtleties to your peruser, however it needs to reflect what your characters would have really inquired. Is Heathcliffe Manor dim and inauspicious? Truly, as you recall from working here for as long as thirty years, the past proprietor had the majority of the windows covered up. Give it a shot, for all to hear. Perusing your composing perceptibly to yourself (or another person) causes you choose whether your discourse is characteristic. It might make you abbreviate portions of it by giving you that you have to relax. Evade the data dump. Now and then toward the start and the finish of an analyst novel, somebody says: To start with, disclose to me all that you think about the homicide. Let me know, how on the planet did you make sense of that the head servant did it? Be that as it may, a data dump isnt as much fun as uncovering data normally. This gold mirror must be four feet wide! In what capacity will we get it ground floor? From this one bit of discourse, we can induce that outsiders are moving rich individuals out of a multi-story house. Breaking point the cast. The more characters there are, the all the more confounding the discussion can be. In the event that its difficult to recognize character voices spread through the story, its considerably harder to recognize them when theyre all talking immediately. About exchange labels An exchange label discloses to you who is talking. Scholars and educators differ about what else it ought to do. Call a taxi, she said. Taxi! he yelled. Where you wanna go? the driver said bluntly. A few educators need their understudies to look over the several options to stated, letting them know, Said is dead.: Stop the presses, he howled. There is no reason to worry, Kate consoled them. You all need to meet my grandson, she spouted. Just the Shadow knows, he murmured. J.K. Rowling is infamous for her verb-modifying discourse labels, which she for the most part puts in an exchange. Three models from a solitary page of Harry Potter and the Sorcerers Stone: Gracious indeed, everyones commending OK, she said anxiously. You cannot accuse them, said Dumbledore tenderly. I realize that, said Professor McGonagall fractiously. Then again, Stephen King encourages scholars to maintain a strategic distance from verb modifiers and utilize only stated: â€Å"While to compose intensifiers is human, to compose ‘he said’ or ‘she said’ is divine.† He additionally says, â€Å"I accept the way to hellfire is cleared with qualifiers. Columnists are instructed to utilize just two action words in discourse labels: said and inquired. Including modifiers or utilizing progressively vivid action words bargain their objectivity. I concur with Stephen King. The word said doesnt divert from the discourse itself. It is unnoticed and subtle. Exchange is a character talking. A discourse tag is you talking. The journalists rule is appear, dont tell, and when you add a qualifier to an exchange tag, you are telling. You are additionally causing to notice yourself. With regards to action words, I recognize dynamic action words, for example, croaked or murmured and unmistakable action words, for example, compromised or encouraged. Saying he croaked shows your peruser the sound of the speakers voice, something which they wouldnt in any case know. Saying he compromised is a prop the peruser ought to have the option to see the danger in the discourse itself. I never state ‘She says softly.’ If its not effectively delicate, you know, I need to leave a ton of room around it with the goal that a peruser can hear that its soft.† Toni Morrison More recommendations for discourse labels: Dont utilize inconceivable action words. A few generally utilized discourse labels speak to activities that cant truly be performed while talking. That is redundant, chuckled Bob. On the off chance that this could occur, in actuality, this would sound progressively like: That is (ha) not (ha) important (ha), said Bob. Snickering and talking all the while is preposterous. Maintain a strategic distance from Tom Swifties. The creators of the Tom Swift undertakings of a century back didnt restrict themselves to said on the grounds that they had confidence in exquisite variety. Therefore, exchange labels with prominent action words and verb modifiers have been ridiculed in a class of plays on words called Tom Swifties. Somebody has let the soup bubble over! Tom said fervently. Its heavy storm outside, Tom raged. Sick hold the spotlight for you, Tom shot. I incline toward flapjacks, said Tom straight. Dont resemble Tom. Is this discourse label essential? Now and then you dont need one. In a discussion between two characters, the peruser can expect that substitute lines are spoken by a similar character. Heres a model from Leo Tolstoys War and Peace with a portion of the exchange labels expelled: Pardon me! Natasha said faintly. Excuse me! I love you, said Prince Andrei. Pardon Pardon what? Pardon me for what I didid. Would you be able to utilize an activity tag rather than an exchange tag? You dont need a discourse tag in the event that you have recently distinguished the speaker in an alternate manner. The criminologist unexpectedly snuffed out his cigarette. You should and me cooperating? For this situation, he peruser comprehends that the criminologist is talking. Discourse isn't only for fiction. Have a go at remembering discourse for all that you compose, even insightful papers and business updates. Seeing quotes lights up the eyes of an academician as much as any other individual. Rather than officially summing up what your bosses said to you, why not quote them in exactly the same words? Need to improve your English quickly a day? Get a membership and begin accepting our composing tips and activities day by day! Continue learning! Peruse the Fiction Writing classification, check our well known posts, or pick a related post below:100 Words for Facial ExpressionsThe Parts of a WordEbook, eBook, digital book or digital book?

Il Divo in the context of Italian political cinema - Literature Essay Samples

â€Å"We are very different. You are not my son, you are not my nephew. But you are a very good director.† [1] Upon seeing Sorrentino’s 2008 masterpiece, Il Divo, Francesco Rosi, one of the pioneering forefathers of the Italian school of cinema d’impegno civile – a brand of political cinema which promoted civic engagement and aimed to agitate the political sentiment of viewers, was at pains to convey to Sorrentino that, while he greatly esteemed his work, Rosi perceived him as separate from the canon of Italian political cinema of the 60s, 70s and 80s. Yet Rosi’s thinking is increasing being re-evaluated by many critics, who are quick to draw parallels between Il Divo, and its antecedents of the Italian cinema of the 60s to the 80s, citing the encouragement offered for civic engagement, the treatment of historical memory, and the profound analysis of an erstwhile era of politics – in the 1970s most commonly that of fascism, but in Il Divo, th e Christian Democratic party. It appears that neither party – Rosi nor a vast array of film critics – should be totally mistaken in their conclusions. Whilst there are ostensibly a great deal of commonplaces with the political cinema of the 1970s, such as the revisiting of recent political history, the focus on psychoanalysis, and the objectives of the directors to ignite a degree of political curiosity in the hearts of the spectators, there are at the same time differences in style, which prevent Il Divo from being immediately incorporated into the political cinematographic canon of the 1970s. For the purposes of this exercise, it seems opportune to focus on Bertolucci’s Il Conformista in dialogue with Il Divo in order to ascertain the similarities and differences between the two, and to place Il Divo within its historic context. The study of the recent past – in both cases the analysis of a political era roughly a generation ago, would be an obvious starting point for ascertaining whether Sorrentino’s film should be declared part of this body of film, in particular the study of organised crime. Whilst Il Conformista looks at some of the more nefarious elements of the fascist era, tracing the journey of Marcello under the watchful eye of Mangianello, in an attempt to track down and murder Quadri, his former professor living in exile who is a prominent antifascist, so too does Il Divo focus on egregious instances of organised crime in the recent past, most specifically looking at the Mafia and Andreotti’s alleged relationship with many of their g randees. These scenes are both conducted in a remarkably similar manner. For instance, upon visiting Quadri in Paris, we see a ling journey followed by a curious meeting in his dimly lit study. Likewise, when Andreotti goes to see Riina in Sicily – who is a Mafia boss – the ritualistic formality with which he does so is very similar. There are also, perhaps, homosexual undertones to both meetings. One notes for example the kiss which the two men exchange in Il Divo, and likewise the meeting in the darkened, private interior space between Quadri and Clerici in Il Conformista. Consequently, the subplot of illicit actions in both is a similar way in which the shady memories of the recent and problematic historical past is treated in both, prompting similarities to be drawn. Moreover, the aims of both directors, according to interviews conducted both by Bertolucci and by Sorrentino are similar and would seem to suggest that it would not be unreasonable to include Il Divo within the earlier corpus of Italian political cinema. In both cases, the directors were at pains to demonstrate that a key reason for their reviewing the recent past and incorporating political s candal of the generation which had just elapsed was in order to illuminate the fact that many of the corrupt elements of the Italian government had remained in place. Bertolucci replied, when asked whether he thought that Il Conformista was a film pertinent for contemporaneous viewers that â€Å"yes! That is why I say [it] is a film for the present.†[2] He also adds that â€Å"although the world has changed, feelings have remained the same.†[3] These statements come against a backdrop of intellectual dissidence against the political status quo: antifascism. It was beginning to be reconsidered, by a variety of academics, that actually a lot of the judicial and administrative equipment and personnel which characterized the antifascist era, was in fact no different to that of the fascist era. This school of thought is continued in Il Divo, as Sorrentino, in an interview with Cineaste voices a striking similar opinion on the state of contemporary Italian politics. He says that â€Å"while the government of Berlusconi is very different to that of Andreotti, the method of government is the same.†[4] Sorrentino says in the same interview that, whilst it is not necessary to have a full comprehension of Italian politics to take away many of the key messages from this film, he hoped to engage young people and alert them to the problematic aspects of government that had not been changed. As a result, we can see a further parallel between Il Divo and the established canon of Italian cinema d’impegno civile. The directors are both keen to convey a very similar message: while the Italian governmental personnel may evolve over the course of the years (although not necessarily – given that Il Divo focuses on Andreotti’s life solely between 1990 and 1992, ye t he was in fact involved with the Christian Democratic party in some guise from 1946), the administrative procedures and mechanisms of the Italian governments are something which will remain more or less constant. This constancy is painted in an unfavorable light, given the frequent allusions towards the corruption practiced by Andreotti. Although these films do have many similarities in terms of content, and to some extent in terms of treatment of the recent past and its impact upon the present political situation, the manner in which Il Divo treats historical veracity is not always in keeping with the treatment of historical fidelity which is seen in other films in this corpus. The referential language of Il Divo, which is characterized by a vast array of montages and filmic signs which frequently hint at the culpability of the protagonist Andreotti, is not at all similar to that of Il Conformista, or in fact many similar films from the cinema d’impegno era in the 1970s. A very striking feature of Il Divo is the wide range of virtuosic cinematographic techniques employed by Sorrentino, aimed at framing Andreotti as an all but culpable figure in many of his alleged crimes. The use of crosscutting is particularly efficacious at achieving this outcome. We note, for instance, that Andreotti is, like Attlee, an op aque figure in his personal life. This message is made abundantly clear to use by Sorrentino’s introduction of him in near total darkness, as he explains the severe headaches he has always suffered. Yet, Sorrentino does not allow him to live this reserved personal existence in his film, as he is constantly questioning the actions which he is alleged to have taken. For instance, the death of Falcone is something which the viewer is called to question Andreotti for, through the referential language chosen by Sorrentino. The crosscut between the burning car falling, and the somber minute of silence held in parliament for instance foregrounds culpability. In addition, when we see the men discussing the importance of keeping eyes fixed in Andreotti, subliminally conveys to the viewer that Andreotti should be seen as a figure of culpability – one to be foregrounded rather than one who can lurk in the shadows, as he appears to want to do in his personal life. This is especial ly the case when one analyses the following montage. After a short reflection about his personal life, when Andreotti’s interior monologue is privileged and we hear about the times in his life when he has cried, we then cut to two corpses, one in a field and a travelling shot of a man who has hanged himself, before switching over to an interview with Andreotti, where the journalist quizzes him about recent suicides. This treatment of historical veracity is rather different to Il Conformista. Whereas in Bertolucci’s film, it is never anything except evident that the protagonist is guilty for attempting to murder the professor because he is an antifascist living in exile, Andreotti is in fact a politician who was acquitted of many of the charges levelled against him. As such, Il Divo appears to be far more controversial, both stylistically and in the manner in which it treats the fidelity of history. As a result, whilst in many ways it would not be unreasonable to place Il Divo within the context of Italian political cinema generally, given the content, the focus on recent history, and the critique of the unchanging government methods of administration, when one considers the way in which the recent past is treated, Il Divo begins to look somewhat different. It is not merely a political exposà ©, but a highly controversial account of an equally controversial, although acquitted, politician. Thus, the treatment of historical memory, which is played with polemically by Sorrentino through a great variety of virtuosic stylistic techniques, is not entirely in keeping with the Italian political cinema of the post- 68 era.

Television Programs Essay - 692 Words

Television Programs There are many useful techniques greatly in television programmes and in their opening sequences. They are used to attract the viewers attention while also creating a great way to show what the upcoming program is about. One of these techniques is the use of split screening; this is a very attractive way to put across what a programme is about, tone or genera. In the television soap Hollyoaks the beginning shows a short clip of around thirty seconds to around a minute that gives a little incite into the episode, which is followed by the use of split screening in the opening credits. In this introduction there is a blue background, which shows a mellow tone while clips of†¦show more content†¦Using these techniques is clearly marking out what kind of programme is to come, through the used of humour shown in then opening scenes. The opening theme is slow and serious but also very catch. It could be linked to the likes of other police and emergency services documentaries lik e The Bill because they are very similar in tone. In the television soap Eastenders the opening credits starts on the centre of East London and pans out to show the larger area of East London. The most noticeable part of the introduction is the theme music used, it is a very catchy tune that even people who wouldnt normally watch the programme would recognise. The opening doesnt need to show any clips of other parts of its shows because unlike most television programmes it is continuously running so there is no need for it. The area shown is very grey and colourless showing a lower or even middle class type of place. People can relate to this type of viewing because the characters are based on working class people. This would also be Eastenders target audience because of these types of people would be able to relate to the programmeShow MoreRelatedTelevision Program For Children1687 Words   |  7 Pages Affections of television program to children in each cognitive development sta ge. There are so many different television programs out there designed for children, but the reality is when the word â€Å"children† includes kids of the age between births to 12 years old, the affection of those programs must be different in different stages of cognitive development of children between births till the age of 12. Therefore, my paper is going to talk about how those affections are different in each stageRead MoreReality Television Program1229 Words   |  5 PagesWhen people turn on their televisions at home or they are watching television somewhere else, they will possibly find a reality show somewhere. Reality television shows have been on television for numerous years and are changing. 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Human Development Middle Adulthood - 1068 Words

Human Development Reflection: Middle Adulthood Middle adulthood, or mid-life, is usually defined as ages 40 through 65. Experience Human Development authors Papalia and Martorell (2015) explain that during this phase, for the first time in life, development begins to deteriorate. Mid-life adults start to lose height due to shrinkage of the discs in the spinal column and their bones become more fragile. Skin becomes less elastic, hair may gray and thin due to declining melanin and hormone levels, and the senses begin to dull. Health concerns such as hypertension, cardiovascular disease, and diabetes become more common as well, even in previously healthy people. In addition, sexual functioning tends to change as hormone levels in both men†¦show more content†¦Occasionally this turning point can escalate into what has been termed a mid-life crisis. However, while some may experience turmoil during this period, others may feel at the peak of their abilities, while most fall some where in between the two extremes (Papalia Martorell, 2015). Erik Erikson s psychosocial stages continue into middle adulthood with the crisis of generativity versus stagnation, defined as finding meaning in one s life and committing to leaving a lasting legacy for future generations, versus becoming self-centered and stagnant. Socially healthy adults in this phase of life have developed their identities and the capacity for intimacy and now move on to mentoring younger generations as they face their life stages crisis. Many express this through parenting, grandparenting, teaching, and mentorship of younger generations. If mid-life adults are unable to find a positive outlet for their own generativity, they may run the risk of becoming disconnected from the community around them as they age (Papalia Martorell, 2015). 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How effectively does Harper Lee present the children and growing up in To Kill A Mockingbird Essay Example For Students

How effectively does Harper Lee present the children and growing up in To Kill A Mockingbird Essay In this essay I will be exploring Jem and Scouts journey to maturity throughout the novel; To Kill a Mockingbird. I will look at the techniques Harper Lee use and how well they work in portraying their growth to maturity. I will also explore influences on the children and the tree main themes in this novel: education, bravery and prejudice. The main them is prejudice which will be looked at in more detail. Jem and Scout represent a typical youth, naivety and innocence. In the first chapter, page 8, Scout says: Thereafter the summer passed in routine contentment. Routine contentment was: improving our treehouse that rested between giant twin chinaberry trees in the backyard, fussing, running through our list of dramas based on the works of Oliver Optic, Victor Appleton and Edgar Rice Burroughs They have no worries through the summer and have fun. The phrase routine contentment is repeated in the passage which gives the effect that this is what they usually do in the summer and were satisfied with the events they do. These are all things people generally do in their childhood and in summer. Some of the things they do seem to be menial such as fussing which also seems quite childish. The atmosphere of summer is created by what they do. In summer it is a time for relaxing; with no work to do. Improving our treehouse is one of these relaxing things which they can do in the summer due to the suitable, warm weather. An example of their naivety is Jems description of Boo Radley to Dill and Scout, also in chapter one, on page 14: six-and-a-half feet tall dined on raw squirrels and any cats he could catch, thats why his hands were blood stained ong jagged scar that ran across his face; what teeth he had were yellow and rotten; his eyes popped, and he drooled most of the time. This description is probably quite exaggerated from the town rumours theyve heard. The exaggeration is shown with phrases such as dined on raw squirrels and any cats he could catch and drooled most of the time. It is unlikely anyone would eat raw animals or droll most of the time. The effect of long jagg ed scar, teeth he had were yellow and rotten and his eyes popped sounds like an evil, scary monster. They turn him into a horror story and is probably very exaggerated. The passage shows innocence as they believe the rumours about Boo Radley. The children have never seen Boo but they still make a judgement about him and the way he looks and lives. Their main role model in the novel is Atticus; their father. Scout is often critical of Atticus ways and how he brings them up. An example of this is the way that Atticus treats Mrs Dubose with kindness and compliments when she often throws insults at him. Scout does not understand why he treats Mrs Dubose so nicely. I think Atticus is a good role for Jem and Scout as he teaches them about prejudice by defending a black man in a racist community. When asked by Scout why he is defending a negroe he replies: if I didnt I couldnt hold up my head in town, I couldnt represent this county in the legislature, I couldnt even tell you or Jem not to do something again you might hear some ugly talk about it at school, but do one thing for me: you just hold your head high and keep those fist down try fighting with your head for a change. This is on pages 83-84, chapter 9. Atticus says in this passage that if he didnt defend Tom he would be ashamed and would not be able stop Jem and Scout doing something wrong as he would be hypocritical. He also helps Scout to stop fighting physically by telling her to try fighting with your head for a change. He tells her that others will not agree with what he is doing as there will be some ugly talk and she must be aware of it. This is the first point in the novel where Scout learns about prejudice. Atticus is the most important role model as he helps them mature the most. Although he is their father, he does not treat them as children but as adults. He looks after them properly; however he does not play games with them. He talks to the often as adults. Atticus takes Jem and Scout to Tom Robinsons trial which other young children would not understand or find a terrible experience. Jem and Scout find it an experience which teaches them about right and wrong and racism. When Tom Robinson is found guilty they are really upset and cry at the unfair verdict. They know Tom is innocent but the society they live in will make sure he is found guilty. It was Jems turn to cry. His face was streaked with angry tears as we made our way through the cheerful crowd. It aint right, he muttered This passage from chapter 22, page 234 is after Tom is found guilty. The children show much maturity than the rest of the town as it says the cheerful crowd is happy at the verdict. They realise this is the wrong verdict as it says Jems face was streaked with angry tears. This passage shows the childrens maturity which they gained while watching the trial. Throughout the novel Jem changes socially, mentally and emotionally more than Scout. Symbolism in the Stranger EssayUncle Jack pinned my arms to my sides This passage shows she has a short temper which regularly gets her into trouble. She has a reason to be irritated with Francis, though if she was more mature at this point she would have dealt with the situation differently. Her childishness shows through by punching him and intending to go further. My left impaired, I sailed in with my right, but not for long. Young boys are often the more violent gender with one another and fight with each other a lot. The words knuckle, bone, teeth make the passage sound more aggressive and destructive. The uses of bones make it sound more violent. This passage also says that it took reasonable force to stop her from carrying on punching him as her Uncle Jack had to restrain her. Perhaps the reason behind her being boyish is that her main influences are Jem and Atticus. There is no female influence in her life apart from Calpurnia who is not very involved in Scouts life. Scout looks up to her brother when she is younger so she follows what he does. They spend a lot of time together and as he is still growing up himself he is not the best influence on her life. In the novel a lot of things she says are something Jem has told her and phrases such as Jem said and Jem was a born hero are used, as though she listened to every word he said. But as the novel progresses Jem matures and helps protect Scout and tells her when she is doing wrong. I think this shows that Harper Lee understands what children feel like and their consequent actions. In Jem and Scouts journey to maturity throughout the novel three major themes are touched upon. These are education, bravery and prejudice. Scouts school education is not as helpful to her as much as learning from Atticus. This is because she learns more about social issues from him. Jem and Scout can often be seen as being courageous by standing up for what they believe and defending their family as they know they are right compared to the hypocritical people around them. They know the others are being irrational, but very few people share the same views as them. But the main theme in this novel is prejudice. The novel centres on the trial of Tom Robinson; a black man convicted of the rape of a white girl. Atticus is defending him as a lawyer, even though he knows they will not win he knows that Tom did not rape the girl. Only the Finch family seem to realise other peoples irrational attitudes to race and class. In conclusion, I think Harper Lees portrayal of children living in the 1930s is realistic. The use of childish language can make you thin k about a young childs voice and recall your experiences as a young child. I like the idea of the novel being written by Scout as an older woman as it gives a different viewpoint on events. This novel deals with the issues of education, bravery and especially prejudice. In the southern states in the 1930s white people were very racist against black people. TKAM shows the racism with the unjust decision of Tom Robinsons case. Another case of prejudice is the way the town has built up an image of Boo Radley without seeing him or knowing him properly. During the novel Jem and Scout have a fairly joyful childhood dealing with issues that arise in childhood but the shocking moments really make them mature. Tom Robinsons trial matures them the most and I think it deals with racism very well. The reaction of the rest of the town after the trial, such as Bob Ewell attempting to kill them, makes them more determined to make others know that racism is wrong. TKAM is a good portrayal of maturing and learning what is right and what is wrong. But it is only the children who learn by these events. People in the town learn not to judge people without knowing them properly. A prime example is Boo Radley who no one had seen for years. When they find out he is not as demented or mad as they imagined and actually helps Scout realise they should not have gossiped or made snap judgement. Most of the characters learnt from the events and other characters in this novel and most seem to be wiser of prejudices in civilisation.